Sean Pecknold

Hello

Sean Pecknold is an independent animator, music video and film director from Seattle, Washington based in Los Angeles, CA.

He uses analog filmmaking techniques to create modern myths about lonely shapes, people, animals, and objects. He enjoys wandering into visually strange and magical places. It’s not just girl meets boy. It’s girl meets boy then turns into a tree.

His body of work includes award-winning films and animations for Fleet Foxes, John Legend, Netflix, Dreamworks, Dirty Projectors, Google, Sony, Lyft, Headspace, The New York Times, and the BBC. His work has been presented at film and design festivals all over the world and his most acclaimed film The Shrine / An Argument won the Best Animation at the UKMVAs in London. Sean is a proud recipient of a Young Gun Award from the Art Director’s Club of America.   

Outside of filmmaking his inspirations come from philosophy, Alan Watts; science, Carl Sagan; art, Paul Klee, & Bauhaus. But mostly from music, Fleet Foxes, Kraftwerk, etc. His favorite records right now are Shore by Fleet Foxes and Neighborhoods by Ernest Hood. The record he has listened to the most over the last decade is Emahoy Tsegué-Maryam Guèbrou.

He runs Sing-Sing studio in Los Angeles with his partner Adi Goodrich and has taught stop-motion classes in NYC, Seattle, Los Angeles, and CalArts. 

He recently directed and animated stop-motion for Song Exploder on Netflix as well as stop-motion for another upcoming Netflix series.

He is a contributing columnist to The Smudge.

He is currently working on a feature length stop-motion film called The Last Forest.  

For graphic prints visit the store.

Collaborators

  • Adi Goodrich
  • Antfood
  • BBC Knowledge
  • Britta Johnson
  • Dirty Projectors
  • Elvis Perkins
  • Fleet Foxes
  • Google
  • Grizzly Bear
  • Here We Go Magic
  • Malfred Sound
  • Netflix
  • New York Times
  • Nicolas Godin
  • Robin Pecknold
  • Sing-Sing
  • Some All None
  • Sons & Co
  • Stacey Rozich
  • The Unknown
  • VSCO

Three Minutes with Sean

Could you tell us a bit about yourself?
I haven't done 23 & Me, but I know my heritage is at least Norwegian, Irish, French, Canadian, and English. I enjoy long bike rides in cold cities. I'm a Pisces and my birthday is on St. Patrick's Day. As a kid I was obsessed with the show Mathnet, a serial Dragnet spoof featuring mathematicians, and just recently went to get my taxes done in Burbank, CA and the actor who played the main detective was working as an accountant there. That was a celebrity sighting I was excited about.

Where did you grow up?
I grew up in and around Seattle, Washington: Port Townsend, Ravenna, Kirk- land, and Capitol Hill.

Why and when did you move to Los Angeles?
I moved to Los Angeles on Halloween of 2012 from Portland, Oregon. I had always wondered what it was like to live there, at the time I only knew a few people, Portland was beautiful and clean, but there weren't enough work opportunities in film there, and I wanted the challenge of a big city. I had lived in NYC for a few years and missed the energy, and figured LA would be the next best place to try.

What initially inspired you to pursue a career in filmmaking?
RES Magazine & RES DVD from the Mid-2000's was a big reason, seeing so many radical shorts, music videos, and animations, and also the Director's Label DVDs with Michel Gondry, etc. My dad was a video editor in the 90's so I was turned onto the craft side of film very early.

How would you describe your creative process?
I start with an image or a mood or a certain visual that I can't get out of my mind. Then I do a lot of sketching and storyboarding to flesh out the idea and sometimes do a test video to help me test or explore what I'm going to make. It can be messy but I've tried to get more structured with my process over the years.

Does your city and surroundings influence you as a creative and individual?
Of course, I think your environment has a huge effect on what you make for better or worse, hopefully better. My work in the Northwest was a darker, moodier, it sort of mimicked the grey skies and epic landscapes and forests. Since moving to Los Angeles I've gotten deeper into live-action filmmaking, working with crews, other nice humans, etc. I don't really consider myself a Los Angeles inspired artist. More-so I would say I'm inspired by the parts of California that are outside of the city. The last couple music films I've made are both exercises in finding a unique visual that felt to me like the animation worlds I had created over the years. It's very helpful to be a few hours drive from a vast amount of locations, deserts, mountains, forests, oceans, it makes sense why so many movies were shot around here for so long.

What do you struggle with the most in terms of working and living in a city like Los Angeles?
The city has a strange effect on the mind, it can be like you are trapped in a sort of spell, this can be good and bad. The car and the streets are the biggest drag, and if you don't have a workspace then you can spend a lot of time sitting at home unmotivated to do anything, with the weather the exact same everyday. As strange as it sounds, I think the combination of sunshine and driving is the biggest struggle for me. Sometimes I imagine the sun as my arch-nemesis, and everyday he is trying to destroy me, so I have to hide from him after saying hello to him in the morning when he hasn't reached full power, then I can emerge later when he is saying goodbye for the day. In the northern cities the sun isn't as powerful, but here it really beats down on all the asphalt like a giant laser. Walking, and hiking, and keeping your body moving outside of a car is the real key to finding a sort of healthy balance here. Luckily there are a lot of options for that as well.

The responsibility of the council in every city is to provide a solid foundation of design, art and cultural facilities, is that evident in Los Angeles?
For such a large sprawling city, seeking out cultural events can be the thing that makes you feel part of the community, that's very important here. I've recently enjoyed a Jim Henson Retrospective at Skirball, the LA30 - Los Angeles artist show at the Hammer, and the LA Design Festival had some great panel discussions and events. There's a lack of independent arthouse cinemas, which is strange for such a movie-town. I also think the city council could do a better job of getting the word out there about the art goings-ons in every neighborhood. Often you live in Hollywood or Lincoln Heights but don't know what's happen- ing in Pasadena or Long Beach or vice versa. The sprawl can make it feel like all things are out of reach. There could be a better Social Media presence for information about the events and facilities, and also art or media grants that exist. The ForYourArt newsletter has a nice list of recommend events in LA. Also 5everyday App is great for knowing what's happening. But we need more panel discussions, and experimental happenings, more events that brings the city together to think and learn and enjoy the culture that we have to offer.

Do you think it is also the responsibility of the designer/creative to improve the quality of peoples lives in their city?
Yes for sure, every designer or creative working in this city should affect it for the better. Adi and I run Sing-Sing, our creative studio in Cypress Park, and this fall started a seasonal workshop series called Saturday-School as a way to improve the community here and teach people who are starting out in their careers, or looking for a break from their normal pursuits. We've done a Color Theory class, a Stop-Motion Animation class, a Live-Drawing class, and an Experimental Typography class. It's been a really great way to meet other creatives in the city, and for them to network with each other and learn something new.

Can you tell us about any current or future projects that you are particularly excited about?
Currently developing a feature film that I'm really excited about. Also, our studio Sing-Sing is releasing a beautifully simple list-app that we're pretty excited about called Superfocus. Saturday-School has been really nice as well, hoping to get more great classes planned for 2019.